|
 |
1974 to Today
Music Unlimited was founded by Al Hamme in 1974 to provide musicians in
the Binghamton, NY area with an outlet to play modern big band jazz and to
create a personnel base so that he could
contract
musicians for the various traveling shows that were beginning to appear in
the Binghamton locale.
In the last 35 years, Al has broadened the scope of this organization to
include all facets of the music business. Music Unlimited now provides a
number of different-sized bands that present jazz concerts, provide music
for social functions and continue to back traveling artists. In addition,
Music Unlimited also provides arranging and production services for
recording projects, stage shows and industrial exhibitions.
Al Hamme
is a woodwind artist, clinician, conductor, arranger and composer. He has
recorded with Slam Stewart, Phil Woods, Tom Harrell, Peter Appleyard,
Richard Wyans, Bucky Pizzarelli, Tony Marino, Mike Holober, Sherrie
Maricle, Ann Chamberlain, Steve Gilmore, Steve Brown, Tom Whaley, Bill
Carter, Fred Hersh, Ron Vincent and Gene Bertoncini. Al contributed to
Slam Stewart's final recording in 1987,
The Cats
Are Swingin', and Jacque Tara Washington's
Jazz Passions,
as a performer, arranger and producer. Al's recordings with his own
band, The Swing
Street Jazztet,
include The
Swing Street Jazztet Plays Dave Wheeler
and
Potpourri: The Open Studios Sessions.
Al is a founding member of the
Presbybop Quartet. Recordings with this ensemble, lead by
pianist and composer Bill Carter, include
Faith in a New Key,
Dancing Day,
Fragile
Incarnation,
Stand on Your Head,
John According
to Jazz,
Welcome Home
and
Psalms Without Words.
Al founded the jazz program at Binghamton University in 1964 and directed
it for 33 years. Other responsibilities while on the faculty at Binghamton
University included: Director of the Concert Band and Wind Chamber Music
Program (1967-1989); Director of Undergraduate Studies for the Department
of Music (1975-1985); and Chairman of the Music Department (1980-1985).
He also served as the director of the Cornell Jazz Ensemble for six years
and was chosen to be the first Artistic Director of the School of Jazz
Studies for the New York State Summer School of the Arts Program
(1985-1991).
|